While the standard tube thickness is 1mm, we use tubes that are 2mm thick. B. No noticeable scratches or stains. There is a small pinhole in the corner. ・There are storage stains on the back.
Alice Cooper / Personality Posters 1970s Original Official Poster 26x39in Read Post »
Birdland “The Jazz Corner of the World”. (other sizes & options available. (Read on for more details.). “Where the Bill Is Always Low!”. 1) the majority are our own wholly new original designs;.
Birdland jazz poster – 52nd St – New York – 1950s (blue variant) Read Post »
SecondTakeJazzArt presents… a high-quality unframed 16″x24″ poster featuring original upgraded artwork commemorating some celebrated live performances from jazz history! (other sizes & options available) ================ The Swingle Singers plus Oscar Peterson at Carnegie Hall the Saturday, October 24, 1964 concert at Carnegie Hall in New York City featuring: The Swingle Singers of Paris Jeanette Baucomont, Christiane Legrand (sopranos) Anne Germain, Claudine Meunier (altos) Ward Single (director), Claude Germain (tenors) Jean Cussac, Jean-Claude Briodin (bass) with bass and drum accompaniment The Oscar Peterson Trio Oscar Peterson (piano), with Ray Brown (bass) and Ed Thigpen (drums) featuring special surprise guest Clark Terry (trumpet, flugelhorn)! Fresh off their two breakout hits — “Jazz Sébastian Bach (aka, Bach’s Greatest Hits)” and “Going Baroque” — this marked the first (and perhaps only?) appearance at Carnegie Hall by “Les Swingle Singers.” Something of a novelty act, this group of extremely talented singers (especially Michel Legrand’s sister Christiane Legrand, who lent her sterling soprano to dub parts of the “Umbrellas of Cherbourg” soundtrack) were famous for crafting “jazzed up” scat versions of famous repertoire from the classical music canon. ================ ABOUT OUR POSTERS… ================================ Four very important points… 1) First and foremost, all our posters are MODERN CREATIONS — they are NOT vintage pieces or antiques! Our posters are printed on-demand from our own ORIGINAL art files that we’ve created ourselves within the last few years. (Read on for more details) 2) We offer our posters UNFRAMED ONLY! Our preview images demonstrate how our posters look framed in various real-world environments; however, we do NOT include frames when you order our posters! Offering our posters UNFRAMED ONLY helps us keep our production and shipping prices lower, and it allows our customers to choose their own frame styles and materials to match their taste, décor, and budget. 3) Our preview images are FOR ILLUSTRATIVE PURPOSES ONLY. Please note that digital images are typically more vibrant than printed posters. Also, due to printing variations and editorial decisions, you can expect that the colors, details, etc. in the actual posters you receive may vary somewhat from their representations here. 4) Some preview images we show have been WATERMARKED for security purposes. Don’t worry — these marks do NOT appear on the finished product. Where do these posters come from? Our mission at SecondTakeJazzArt is to produce high-quality visuals that commemorate celebrated live performances by jazz legends from the distant past. We particularly focus on renowned club or concert appearances that have been preserved by fan-favorite recordings — legendary shows for which little to no advertising ephemera survives (or was ever created). SecondTakeJazzArt strives to fill in these gaps with carefully researched, highly detailed facsimiles of said missing ephemera. Our poster designs combine the verifiable performance information with vintage source materials (imagery, branding, type, etc.) and original elements (derived from or inspired by contemporaneous advertisements of the same/similar events in posters, handbills, newspapers, magazines, festival programs, album covers, etc.). In general, the posters we’ve created for SecondTakeJazzArt fall into three categories: 1) the majority are our own wholly new original designs; 2) others are our own original modified designs (new versions of vintage poster designs that we’ve significantly edited, adjusted, reconfigured, etc.); and 3) a few are our own original upgraded designs (new “straight” reproductions/reprints of vintage posters that we’ve painstakingly retouched). SecondTakeJazzArt produces decorative tributes that aim to delight the viewer, not forgeries or fakes that aim to deceive them. Our goals are to either faithfully recreate and/or authentically mimic something close to what might have been or reproduce in higher fidelity what’s largely been lost. We sincerely hope you do enjoy our posters, and find them to be worthy constituents of your home or office décor. All posters designed and printed in the U.S.A.
The Swingle Singers – Oscar Peterson Trio jazz poster – Carnegie Hall – 1964 Read Post »
SecondTakeJazzArt presents… a high-quality unframed 16″x24″ poster featuring original upgraded artwork commemorating some of the most famous live performances in jazz history! (other sizes & options available) ================ The 1964 Paris Jazz Festival made famous in recordings of Miles Davis, Dave Brubeck, and others the October 1964 festival in Paris, France featuring: Miles Davis Quintet Dave Brubeck Quartet with Paul Desmond Sister Rosetta Tharpe Sonny Stitt Coleman Hawkins Pee Wee Russell Thad Jones Howard McGhee J.J. Johnson Roland Kirk plus more! ================ ABOUT OUR POSTERS… ================================ Four very important points… 1) First and foremost, all our posters are MODERN CREATIONS — they are NOT vintage pieces or antiques! Our posters are printed on-demand from our own ORIGINAL art files that we’ve created ourselves within the last few years. (Read on for more details) 2) We offer our posters UNFRAMED ONLY! Our preview images demonstrate how our posters look framed in various real-world environments; however, we do NOT include frames when you order our posters! Offering our posters UNFRAMED ONLY helps us keep our production and shipping prices lower, and it allows our customers to choose their own frame styles and materials to match their taste, décor, and budget. 3) Our preview images are FOR ILLUSTRATIVE PURPOSES ONLY. Please note that digital images are typically more vibrant than printed posters. Also, due to printing variations and editorial decisions, you can expect that the colors, details, etc. in the actual posters you receive may vary somewhat from their representations here. 4) Some preview images we show have been WATERMARKED for security purposes. Don’t worry — these marks do NOT appear on the finished product. Where do these posters come from? Our mission at SecondTakeJazzArt is to produce high-quality visuals that commemorate celebrated live performances by jazz legends from the distant past. We particularly focus on renowned club or concert appearances that have been preserved by fan-favorite recordings — legendary shows for which little to no advertising ephemera survives (or was ever created). SecondTakeJazzArt strives to fill in these gaps with carefully researched, highly detailed facsimiles of said missing ephemera. Our poster designs combine the verifiable performance information with vintage source materials (imagery, branding, type, etc.) and original elements (derived from or inspired by contemporaneous advertisements of the same/similar events in posters, handbills, newspapers, magazines, festival programs, album covers, etc.). In general, the posters we’ve created for SecondTakeJazzArt fall into three categories: 1) the majority are our own wholly new original designs; 2) others are our own original enhanced designs (new versions of vintage poster designs that we’ve significantly edited, adjusted, reconfigured, etc.); and 3) a few are our own original upgraded designs (new “straight” reproductions/reprints of vintage posters that we’ve painstakingly retouched). SecondTakeJazzArt produces decorative tributes that aim to delight the viewer, not forgeries or fakes that aim to deceive them. Our goals are to either faithfully recreate and/or authentically mimic something close to what might have been or reproduce in higher fidelity what’s largely been lost. We sincerely hope you do enjoy our posters, and find them to be worthy constituents of your home or office décor. All posters designed and printed in the U.S.A.
1964 Paris Jazz Festival jazz poster – Paris, France (orange variant) Read Post »
Aretha Franklin. Aretha Franklin (vocals, piano). Within just a few short years, she’d record “I Never Loved a Man the Way I Love You” with Jerry Wexler and Atlantic Records — and blossom into the undisputed “Queen of Soul.”.
Miles Davis – Aretha Franklin jazz poster – Adams-West – Los Angeles – 1964 Read Post »
The Modern Jazz Quartet, Bill Evans, Ornette Coleman. Ornette Coleman and his Band. What an evening this must’ve been.The Modern Jazz Quartet, Bill Evans, Ornette Coleman. The Modern Jazz Quartet. Bill Evans “and his great new group”.
Modern Jazz Quartet – Bill Evans – Ornette Coleman poster – Town Hall – 1960 Read Post »
The famous June 30-July 4, 1960 “alternative” festival at Cliff Walk Manor in Newport, Rhode Island. The 1960 Newport “Rebels” Jazz Festival. (other sizes & options available. (Read on for more details.). ).
1960 Newport “Rebels” Jazz Festival jazz poster – Cliff Walk Manor – Newport, RI Read Post »
SecondTakeJazzArt presents… a high-quality unframed 16″x24″ poster featuring original upgraded artwork commemorating one of the most famous live performances in jazz history! (other sizes & options available at https://secondtakejazzart.com) ================ Billie Holiday (vocal) “Lady Sings the Blues” at Carnegie Hall the November 10, 1956 concert in New York City Featuring Coleman Hawkins, Buck Clayton, Roy Eldridge, Al Cohn, Kenny Burrell, Tony Scott, Chico Hamilton, and more and readings by Gilbert Millstein https://en.wikipedia.org/wiki/The_Essential_Billie_Holiday:_Carnegie_Hall_Concert_Recorded_Live ================ ABOUT OUR POSTERS… ================================ Four very important points… 1) First and foremost, all our posters are MODERN CREATIONS — they are NOT vintage pieces or antiques! Our posters are printed on-demand from our own ORIGINAL art files that we’ve created ourselves within the last few years. (Read on for more details) 2) We offer our posters UNFRAMED ONLY! Our preview images demonstrate how our posters look framed in various real-world environments; however, we do NOT include frames when you order our posters! Offering our posters UNFRAMED ONLY helps us keep our production and shipping prices lower, and it allows our customers to choose their own frame styles and materials to match their taste, décor, and budget. 3) Our preview images are FOR ILLUSTRATIVE PURPOSES ONLY. Please note that digital images are typically more vibrant than printed posters. Also, due to printing variations and editorial decisions, you can expect that the colors, details, etc. in the actual posters you receive may vary somewhat from their representations here. 4) Some preview images we show have been WATERMARKED for security purposes. Don’t worry — these marks do NOT appear on the finished product. Where do these posters come from? Our mission at SecondTakeJazzArt is to produce high-quality visuals that commemorate celebrated live performances by jazz legends from the distant past. We particularly focus on renowned club or concert appearances that have been preserved by fan-favorite recordings — legendary shows for which little to no advertising ephemera survives (or was ever created). SecondTakeJazzArt strives to fill in these gaps with carefully researched, highly detailed facsimiles of said missing ephemera. Our poster designs combine the verifiable performance information with vintage source materials (imagery, branding, type, etc.) and original elements (derived from or inspired by contemporaneous advertisements of the same/similar events in posters, handbills, newspapers, magazines, festival programs, album covers, etc.). In general, the posters we’ve created for SecondTakeJazzArt fall into three categories: 1) the majority are our own wholly new original designs; 2) others are our own original modified designs (new versions of vintage poster designs that we’ve significantly edited, adjusted, reconfigured, etc.); and 3) a few are our own original upgraded designs (new “straight” reproductions/reprints of vintage posters that we’ve painstakingly retouched). SecondTakeJazzArt produces decorative tributes that aim to delight the viewer, not forgeries or fakes that aim to deceive them. Our goals are to either faithfully recreate and/or authentically mimic something close to what might have been or reproduce in higher fidelity what’s largely been lost. We sincerely hope you do enjoy our posters, and find them to be worthy constituents of your home or office décor. All posters designed and printed in the U.S.A.
Billie Holiday jazz poster – Lady Sings the Blues – Carnegie Hall – 1956 Read Post »
We kindly ask for your cooperation in this matter. Stains are noticeable in the white space. ・There are storage stains on the back.
Jeremy 1973 Movie United Artists For color reference proof sheet 21x28in 55x71cm Read Post »
SecondTakeJazzArt presents… a high-quality unframed 16″x24″ poster featuring original upgraded artwork commemorating one of the most famous live performances in jazz history! (other sizes & options available) ================ Benny Goodman (clarinet and bandleader) Big Band Swing Orchestra, Trio, Quartet, & Guests at Carnegie Hall the January 16, 1938 concert in New York City featuring: Chris Griffin, Ziggy Elman, Harry James, trumpets Red Ballard, Vernon Brown, trombones George Koenig, Art Rollini, Babe Russin, Hymie Schertzer, saxes and clarinets Jess Stacy, piano Teddy Wilson, piano (BG trio and quartet only) Lionel Hampton, vibraphone (BG quartet only) Allan Reuss, guitar Harry Goodman, bass Gene Krupa, drums Martha Tilton, vocal Also appearing: Buck Clayton, trumpet Bobby Hackett, cornet Cootie Williams, trumpet Harry Carney, baritone sax Johnny Hodges, soprano and alto sax Lester Young, tenor sax Count Basie, piano Freddie Green, guitar Walter Page, bass ================ ABOUT OUR POSTERS… ================================ Four very important points… 1) First and foremost, all our posters are MODERN CREATIONS — they are NOT vintage pieces or antiques! Our posters are printed on-demand from our own ORIGINAL art files that we’ve created ourselves within the last few years. (Read on for more details) 2) We offer our posters UNFRAMED ONLY! Our preview images demonstrate how our posters look framed in various real-world environments; however, we do NOT include frames when you order our posters! Offering our posters UNFRAMED ONLY helps us keep our production and shipping prices lower, and it allows our customers to choose their own frame styles and materials to match their taste, décor, and budget. 3) Our preview images are FOR ILLUSTRATIVE PURPOSES ONLY. Please note that digital images are typically more vibrant than printed posters. Also, due to printing variations and editorial decisions, you can expect that the colors, details, etc. in the actual posters you receive may vary somewhat from their representations here. 4) Some preview images we show have been WATERMARKED for security purposes. Don’t worry — these marks do NOT appear on the finished product. Where do these posters come from? Our mission at SecondTakeJazzArt is to produce high-quality visuals that commemorate celebrated live performances by jazz legends from the distant past. We particularly focus on renowned club or concert appearances that have been preserved by fan-favorite recordings — legendary shows for which little to no advertising ephemera survives (or was ever created). SecondTakeJazzArt strives to fill in these gaps with carefully researched, highly detailed facsimiles of said missing ephemera. Our poster designs combine the verifiable performance information with vintage source materials (imagery, branding, type, etc.) and original elements (derived from or inspired by contemporaneous advertisements of the same/similar events in posters, handbills, newspapers, magazines, festival programs, album covers, etc.). In general, the posters we’ve created for SecondTakeJazzArt fall into three categories: 1) the majority are our own wholly new original designs; 2) others are our own original modified designs (new versions of vintage poster designs that we’ve significantly edited, adjusted, reconfigured, etc.); and 3) a few are our own original upgraded designs (new “straight” reproductions/reprints of vintage posters that we’ve painstakingly retouched). SecondTakeJazzArt produces decorative tributes that aim to delight the viewer, not forgeries or fakes that aim to deceive them. Our goals are to either faithfully recreate and/or authentically mimic something close to what might have been or reproduce in higher fidelity what’s largely been lost. We sincerely hope you do enjoy our posters, and find them to be worthy constituents of your home or office décor. All posters designed and printed in the U.S.A.
Benny Goodman jazz poster – Carnegie Hall – NYC – 1938 Read Post »